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''Super Session'' is an album conceived by Al Kooper and featuring the work of guitarists Mike Bloomfield and Stephen Stills, released on Columbia Records in 1968, CS 9701. Bloomfield and Stills do not play together on the album, with tracks including Bloomfield on side one, and those including Stills on side two. It peaked at #12 on the ''Billboard'' 200, and has been certified a gold record by the RIAA.〔(RIAA Database retrieved 21 August 2014 )〕 ==Content== Kooper and Bloomfield had previously worked together on the sessions for the ground-breaking classic ''Highway 61 Revisited'' by Bob Dylan, as well as playing in support of his controversial appearance at the Newport Folk Festival in July 1965. Kooper had recently left Blood, Sweat & Tears after recording their debut album with them, and was now working as an A&R man for Columbia. Bloomfield was about to leave Electric Flag, and at relative loose ends. Kooper telephoned Bloomfield to see if he was free to come down to the studio and jam; Bloomfield agreed, leaving Kooper to handle the arrangements.〔(Bloomfield website Kooper calls Bloomfield retrieved 7 September 2010. )〕 Kooper booked two days of studio time in May 1968, and recruited keyboardist Barry Goldberg and bassist Harvey Brooks, both members of the Electric Flag, along with well-known session drummer "Fast" Eddie Hoh. On the first day, the quintet recorded a group of mostly blues-based instrumental tracks, including a modal excursion "His Holy Modal Majesty", a tribute to the late John Coltrane that was also reminiscent of "East-West" from the second Butterfield Blues Band album. On the second day, with the tapes ready to roll, Bloomfield did not show up.〔Bloomfied on-line biography as above, p. 2.〕 Needing to have something to show for the second day of sessions, to sit in for Bloomfield, Kooper hastily called upon Stephen Stills, also in the process of leaving his band Buffalo Springfield. Regrouping behind Stills, Kooper's session men cut mostly vocal tracks, including "It Takes A Lot to Laugh, It Takes A Train to Cry" from ''Highway 61'' and a lengthy and atmospheric take of "Season of the Witch" by Donovan.〔(MikeBloomfield.com )〕 Some overdubbed horns were later added while the album was being mixed, and sales worth a gold record award were garnered from an album which cost just $13,000 to make. The success of this record opened the door for the "supergroup" concept of the late 1960s and 1970s — Blind Faith, Crosby, Stills & Nash, and the like. Kooper forgave Bloomfield, and the two of them made several concert appearances after the album was released. The results of one of those became the album ''The Live Adventures of Mike Bloomfield and Al Kooper''.〔(SuiteLorraine.com )〕 On April 8, 2003, Legacy Records reissued the album for compact disc with four bonus tracks, including both an outtake and a live track with Bloomfield, and two with the horn overdubs mixed out. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Super Session」の詳細全文を読む スポンサード リンク
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